

That birds, with their riot of color and sound and an ability to fly, have come to be associated with the stories of our deeply human quest to explore such things only makes sense. They are our fellow creatures — dust to dust, ashes to ashes — yet manage to break free of the shackles of gravity and transcend the ground from which we are all made.
As my journals filled with the details of my life — raising children to adulthood, becoming a writer, years of hosting people and events, the development of Art House America, pursuing a seminary degree, and becoming a grandmother — the words on the page gave me eyes to see the significance of the smaller things that are always present.
Sure, there are high points, nameable moments of climax — but most of my daily life still takes place in the in-between.
I dream of the world as sacred space — as a living cathedral. Man-made cathedrals merely echo the natural world with its soaring sequoias, canyons, oceans, mountain peaks. This world was made by a Maker who loves and enters the creation to know it from the inside. This Maker is not aggressive or possessive as we humans understand Him, but is rather hidden, loving, generous to a fault.
I absolutely think that the history of frequent moves, adjusting, new people — all that affects my making today. It takes a lot of courage to be a maker of any kind. It requires many decisions, commitments, and lonely times in your head. The nomadic life built up my courage for new things and change, sort of immunized me to sameness, and made me invite the adventure of mystery and unknown.