In the midst of all of this, I overheard the old saying: That which doesn’t kill you makes you stronger. It stuck with me, turning over in my mind as I held Dad’s hand in the hospital or rubbed my daughter’s back as she hunched over a bucket by our bed.

The reason I kept thinking about this cliché is that it rang so hollow to me. I do not feel that these hard days, these stresses and sorrows and challenges, make me stronger. At the end of these three weeks, I feel profoundly weak and vulnerable.

Mothers, Daughters, and Meatloaf

For the last year I’ve been trying to understand my mother in a deeper way. I’m confused by so much, even my inability to see things for what they were. I don’t have a lot to help unlock the mysteries, so I hold tightly to the things I do have that represent her life and tell her stories: the photo albums and scrapbooks, an interview I did with her in 1976 for a college class, and the recipes.

You don’t have to have a sidewalk to take a walk. One side of the street will do. A dirt road will do. The edges of your neighbors’ lawns might do, depending on the lawns and the neighbors. But those have other purposes. A sidewalk is a zone between where we live or work or shop and where we move in vehicles. It is made for walking.

People were made for walking, too.

Talking About God in Public

Out of belief comes life and all its attending stories. I have, over the last ten years deliberately chosen to keep some of these stories quieter or even private. Other than a few interviews and the occasional post here and there, I’ve required of myself what I’ve so often hoped for from others — a little reserve, maybe even silence. And so, on the topics of God, People, and Place — interdependent topics I’m very passionate about — I had gone mostly quiet.

I Believe in Messy Vans

There were many strata to the debris on the car floor, but the base level was dirt. This dirt originated from various locations — from the Little League diamond (my brothers), soccer fields (whole family, at the boys’ insistence), and hiking trails (the whole family, at my father’s insistence). Even though soccer felt like a chore to me, there was something I appreciated about the relational politics of the game. Like new seating arrangements, new teams aligned our loyalties in random configurations. There would be at least one athletic kid on both sides, one “delicate flower” — a third of the way into the game, she’d need comforting — and one parent.

 Infertility is a story of unrequited love. But God wrote that story. A parent who deeply desires a relationship with His children? Yeah. He gets that. He loves us. He desires to place all of His love squarely upon our heads. He is waiting for us to awaken to the truth, for us to take our first spiritual breath. 

Every step merits intentionality and reevaluation. I have learned that a way to assess whether or not I have remained in rhythm while crocheting is to compare the row of stitches I have just finished to the foundational row with which I started. With every turn of the corner, I raise up the work and see if it is still in balance. If it is, I keep going. If it is not, I unravel just a few stitches back and adjust accordingly. This is how a blanket gets made, with ever-present intentionality.

We may ask ourselves, how are we Christ-imprinted? What is God calling us to do and be as we stand awed and fearful before some significantly burning bush? What needs to happen for us to receive some kind of stigmata some signals that mark us as Christ’s own. Not, perhaps, the bloody wounds in the palms of the hands, but the pure, open, joyful, and contrite heart that God has promised to claim for Himself, to not despise, and to count as more valuable to Him than any human accomplishment and success.

A hammock of flimsy web that should rip apart, but doesn’t. A hammock anchored to thin twigs that should break, but don’t. You climb in and hope it holds. I like to wonder about the nature of all this unseen support that offers not only the safety of the curl but the strength of the swing. I imagine the catch of angels; God’s infinite palm; the unknowable, immeasurable, yet nevertheless concrete woof and warp of divine will and presence. 

Then I look around. 

Nearly every step of the slow DIY building project was a step-by-step trial by fire for me. Though untrained and in anti-possession of any legitimate carpentry skills, the one trait I have going for me is that, though slow, I am a willing student. When someone reacts in response to seeing my now complete dwelling, You are so handy. I could never do that, my inner, if not verbal, response is, I have no idea what I am doing. If I can do this, anybody can. And I absolutely mean it.

As I interact with children of every age, I am convinced the one common thread to maintaining a child’s natural curiosity is that we allow them to be explorers. And most of the time, exploration looks like play. Play remains the most valuable learning tool children use, and they never tire of it.  As children play, they collaborate, problem-solve, wonder, discover, risk failure and learn to persevere.

Consider the Oven

As I apply salve to the blisters, June Carter Cash's song petitions the circle to be unbroken in her Southern-honey voice. We light the candles and sit down to supper. We consider the gift-oven's miraculous powers and presence — gifts I did not give us by “fixing” the situation, but which came to us through the generosity of others.

The Ritual of Returning (to Kenya)

As much as I miss the surety of my childhood idea of home, I am grateful for the tension that stretches me between two continents. I am drawn back not as an explorer or safari gazer who longs for Africa in the naïve and ideal sense, but because I love what Africa has become for us — a place where we belong, a kind of home. And I know that some day when this ritual of returning to Kenya becomes less regular, I will be homesick.

 

Conversations About Race

Eight years ago, the life paths of three women — one black, one white, one multi-racial — crossed, and a unique friendship was born. The topic of race was central from the inception, and we shared a fundamental sense that we needed one another as we explored the terrain of race. Despite the fact that many of our conversations over the years have been difficult and sensitive, they’ve also been beautiful.

I do not remember what I said to my mother over the phone, or what Ms. Reed said when I came back to class. What I remember is staring at my desk, the florescent light blurring into a seamless expanse over me, a pencil shaking in my hand. What I remember is the way my mother walked into the office, wordless, a pink sweatshirt bunched between her hands. My mother’s lips were bare and pale, and the sweatshirt hung past my knees.

 In so many ways, my ideal home is like the earth itself. Perhaps that is the real reason I eschew plastic and acrylic. Perhaps that is why I love wood and wool. Why I like to see our rooms change with the seasons. I want to remember that I am made from the stuff of earth. I never want to forget that the earth is my God-made home. The sky a tent overhead.

I sit for a moment in the reality of my own fortune, my own comfort, my own deep-seated needs and self centered nature. I remember the ashes, the feel of them on my forehead, gritty under Father Boyle’s thumb as he pressed them into the sign of the cross and I breathe then, one deep breath, one heavy sigh that releases shame of that milk carton moment, that column of ash moment, that slow march toward Good Friday. Carus, we are Easter people.

In my writing about my friend, I embellished certain details. I filled in the holes. And as a result, if I’m honest, I’m not sure which parts of the story are true, as in truly happened, and which parts I’ve added, piece by piece, over the years. Was it my need to remember that built this parallel between his eyes and the radio? Did we really smoke pot on a park bench, en plein air, as I’ve so often recalled, or was it cigarettes? Did he hold my hand during the movie we watched together, or did I dream that, too?

When I sat down last Friday night, I expected to hear an essay — fresh, different, perhaps unpublished — on one of his go-to topics, whether the environment, social justice concerns, or some other aspect of intentional living. Since the day I’d booked him, I’d been waiting for the moment when he’d take the stage and begin reading — his deeply rooted ethos already apparent, piercing — and then I would steal glances around the room to see the shock of recognition on the faces of my students, see the visible signs of narrative transport taking them to a new place with a master at the helm.

But something else happened. Not something bad, not less than . . . just different. 

The Mother & Child Project

The role of the artist in society is unique. Unlike bankers, teachers, police officers, senators, doctors, or professors, artists stand at the margins of society and write poetry and prose rife with metaphor and images as a kind of prophetic voice, hopefully with a vision of truth and love. This vision can empower community, uplifting the vulnerable, and provide a newfound hope for a better life for all. The artist has the power to bend language to her will to get “between the lines” of poetry to allow what the Bible calls “true religion” to emerge. With this perspective, there is beauty, clarity, and pure advocacy.