We wanted to respond by making, not just critiquing or even experiencing. In fact, we spent our four-hour drive home that evening discussing work and beginning to outline several collaborative projects. We were intellectually and emotionally exhausted, yet enlivened for work (our various cups of coffee throughout the day helped, too). These paintings cause the viewer to take a life-giving, culture-making posture before she even realizes that she has begun to stand. This is the generative nature of good art/work.

Righteousness and Bliss

Abstract humanity has no draining friendships, annoying relatives, or untidy neighbors. We are never responsible for, or adversely affected by, humanity in the abstract. Facebook statuses, sound bites, and shots across the bow ought not be confused with the real and costly love that underwrites transformation. Bliss without righteousness is vacant, but righteousness without bliss is cruel.

Interview Series: MAKING — A Conversation with Carey Wallace

Art in all its forms is intimately connected with every aspect of all lives. We sing when people die. We dance when they get married. Even sports events and video games incorporate music, dance images, theater. The things I make are only my participation in that constant, unstoppable swirl of creation. This world is already beautiful and good. It’s just a question of where we choose to look.

Beginnings

I am learning to be more comfortable with uncertainty. I believe mercy hides everywhere in the world, waiting to swoop in and hold us. We cannot control much, but we can still live deep and meaningful lives. We can attend to the work of our hands and embrace our small yet worthy part in practicing resurrection.  Remembering that we are forever beginners, never experts, at love.

Paris never slept, as I found to my pleasure when I returned at 21 and took up residence in a crummy hostel. Upland, in contrast, rarely seems to wake. But you can see the stars here like you never can in Paris, and the lonesome quiet of the prairie has started to feel like a companion. Maybe even a friend.

Academy of the Observant Life

The irony of conversing with a stranger is that your individual lives always look very different and personal, but then you strip away the nuances to find a common likeness buried inside of diversity. Take away money and geography and we’re all just flesh and blood and soul. We’re all dealing with sin and forgiveness, love and hate, glory and shame. The big ideas remain. Life creates another day of history and the babies keep on coming. People dream their dreams. The young grasp at reinventing the wheel and the maturing masses learn to let go of such reinventions one breath at a time.

On the day I was making stock, I was also taking stock. No doubt many of us do that this time of year, with the old year gone out the back door and the lock turned behind it, the new year just over the threshold, still slipping off its coat.

One way to consider and savor a year: Whom did I meet? What new friends did I collect and get collected by? What correspondents became a face and a voice and a delightfully embodied presence?

Despite my deep longing to be among the ranks of what I call the “true” artists, the kind who can effortlessly dress themselves in wonderfully whimsical, sophisticated clothing and decorate their homes with lovely abstract art that has deep roots in poetic allusion, I am really too poorly dressed and my home too pathetically decorated to ever count myself among their ranks.