All in Music

Mumford & Sons bring to life what America seems to long for when we give ourselves over to the nostalgia of the Depression Era. Their poetry and poise bespeak a life of hardship and loss and yet, they haven't lost the hope of redemption — the beauty of suffering, even. There’s a refreshing absence of cynicism in their lyrics that provides a contrast to the dominant American attitude of entitlement, arrogance, and individualism which is often hard to shake off.
As I move farther and farther away from the way I believed as a child, is there anything left to hold onto? Is it possible to believe in anything so strongly again? In the song, Rob describes his grandfather’s faith and recounts a story his grandfather told him about “a train wreck in the ’60’s,” which brings up what theologians call theodicy, the problem of the existence of evil if there is a God.
Sometimes, before I open the door, I can hear the music within.

It might be a muscular reel, a bouncy jig, or a lilting hornpipe. My pace and pulse quicken. A smile sprouts. In a moment I will see the musicians, and the faces I meet will tell me they’re glad I came, and a space will open to absorb me into the circle.
When we first started talking about an Art House Dallas launch, we knew it needed to include three aspects: good food, live music, and opportunities to gather our Dallas friends for meaningful conversations. We imagined a handful of Dallas artists and Art House America supporters would meet together for a couple of hours to talk about what it looks like to live an “artful life.”
In a sense, Danielle is the catalyst of Raising Up the Dead. She wrote six songs — literally half of the album. Her songs are extremely well-written, and they resonate as deeply personal. “Some of them are hard to even talk about,” said Danielle. “I don’t mind sharing them in the guise of poetry and lyrics, but it’s hard to come right out and talk about them.”
Every morning, I flip on the lights to my upstairs writing room, open the window blinds, and crank up some music on iTunes to rev up my brain for writing. I sing along to hymns, Radiohead, Johnny Cash, The Shins, Emmylou Harris, and all manner of songs, as if to prepare this space artistically for our children one day. I will gladly give up this room for a kid when the time comes, so it’s like I’m painting the walls in song in preparation, which of course includes silly jazz songs, too — like the Coal Train Railroad record.